Editorial · Chapter 01

THE TABLE AFTER

Spring/Summer Collection 2026

A long lunch that refuses to end. The plates are cleared, the light moves across the cloth, and nobody stands up. This is the hour the collection was made for.

Two women at a cleared table on a terrace, late afternoon light — The long table, Douro — SS26 film

Linen co-ord in sand, photographed against a whitewashed wall — Linen co-ord, sand

Fringed suede hobo bag resting on a wooden chair — Fringed suede hobo, chocolate

Everything happens after the meal — the second coffee, the third story, the decision to stay.

Spring/Summer 2026 is built around that suspended hour. Loose tailoring that creases the way linen is supposed to. Raffia and suede in the same look, because an afternoon runs from the terrace to the street without asking permission. Bags with room for a book, a bottle and a swimsuit. Jewellery you keep on when you swim.

The palette follows the table: sand, olive oil, salt, and the blue of a cloth washed a hundred times. Nothing precious, everything durable — pieces meant to improve over a season rather than survive it.

Words — PARFOIS Studio

Group of friends walking away from a table set outdoors — Porto, 4 p.m.

The pieces

Hand-woven raffia bag held against a linen skirt — Raffia, hand-woven

Gold jewellery layered over a bare shoulder — Salt and gold

Leather sandals on a stone floor beside a table leg — Leather, undyed

Empty chair and folded napkin at the end of the afternoon — The chair nobody left

The table is set
until September.

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